Der Mongole
Der Mongole Inhaltsverzeichnis
Der Mongole (russisch: Монгол) ist ein russisch-mongolischer Film von Regisseur Sergei Bodrow aus dem Jahr In Deutschland lief er ab dem 7. August. Der Mongole. ()IMDb 7,22 Std. 5 Min Epos, das den mongolischen Herrscher Dschinghis Khan als Familie nmensch und ohne Pathos porträtiert. afsfh.eu - Kaufen Sie Der Mongole günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer. DER MONGOLE erzählt von dem monumentalen Aufstieg des jungen Temudgin zu einem der legendärsten Stammesführer der Geschichte: Dschingis Khan. Ian Manook führt den Leser in seinem Thriller „Der Mongole – Das Grab in der Steppe“ an einen höchst ungewöhnlichen Schauplatz. Das ist. Die an Demütigungen und Entbehrungen reiche Kindheit und Jugend eines Mongolen aus dem Jahrhundert, der später zu Dschingis Khan wird – verfilmt. Der Mongole ein Film von Sergey Bodrov mit Tadanobu Asano, Honglei Sun. Inhaltsangabe: Im Jahrhundert erreichte das Mongolenreich.
One night, while celebrating their victory, Temüjin demonstrates his generosity by allowing his troops to take an equal share of the plunder.
Two of Jamukha's men see this as a stark contrast to their Khan's behavior and desert him the next morning by following their new master.
Jamukha chases him down and demands that he give his men back, to which he refused. This act, aggravated by the inadvertent killing of his biological brother by one of Temüjin's men, leaves Jamukha with Targutai as an ally no choice but to declare war on him.
Outnumbered, Temüjin's army is quickly defeated. Sparing his blood brother, Jamukha decides to sell him into slavery. Temüjin is sold to a Tangut nobleman despite the dire warning given to him by a Buddhist monk acting as his adviser, who senses the great potential the warrior carries and his future role in subjugating the Tangut State.
While he is imprisoned, the monk pleads with him to spare his monastery when he will destroy the kingdom sometime in the future.
In exchange for delivering a bone fragment to Börte indicating that he is still alive, Temüjin agrees. The monk succeeds in delivering the bone and the message at the cost of his life.
Börte infiltrates the Tangut border town disguised as a merchant's concubine and the two escape. Temüjin pledges to unify all of the Mongol tribes and imposes three basic laws for them to abide to: never kill women and children, always honor your promises and repay your debts, and never betray your Khan.
Subsequently, , he gathers an army and engages Jamukha, who has an even larger force. During the battle, a thunderstorm arises on the steppe, terrifying Jamhukha's and Temujin's armies, who cower in fear.
However Temujin doesn't cower in fear , and when his army sees him riding unafraid they are inspired to also be fearless and charge Jamukha's helpless and cowering army, which surrenders immediately.
Temüjin allows Jamukha to live and brings the latter's army under his banner. Targutai is killed by his own soldiers and his body is presented to the Khan as a way of appeasing him, but they are executed for disobeying the law.
He would later go on to invade and conquer the Tangut kingdom by , fulfilling the monk's prophecy, but spared the monastery, honoring his debt to the monk.
The premise of Mongol is the story of Genghis Khan, the Mongol leader who founded the Mongol Empire , which ruled expansive areas of Eurasia.
The film depicts the early life of Temüjin, not as an evil war-mongering brute, but rather an inspiring visionary leader. Director Bodrov noted that "Russians lived under Mongolian rule for around years" and that "Genghis Khan was portrayed as a monster".
During the s, Bodrov read a book by Russian historian Lev Gumilev entitled The Legend of the Black Arrow , which offered a more disciplined view of the Mongol leader and influenced Bodrov to create a film project about the warrior.
Bodrov spent several years researching the aspects of his story, discovering that Khan was an orphan, a slave and a combatant whom everyone tried to kill.
He found difficulty in preparing the screenplay for the film due to the fact that no contemporary Mongol biography existed. Author Gumilev had used the work as a historical reference and a work of significant literature.
Speaking on the choice of Tadanobu Asano to portray Temüjin, Bodrov commented that although it might have seemed odd to cast a Japanese actor in the role, he explained that the Mongol ruler was seen by many Japanese as one of their own.
Bodrov said, "The Japanese had a very famous ancient warrior who disappeared, and they think he went to Mongolia and became Genghis Khan.
He's a national hero, Genghis Khan. Mongolians can claim he's Mongolian, but the Japanese, they think they know who he is.
Describing the character interaction between Asano and Honglei, he noted "They're completely different people, Temüjin and Jamukha, but they have a strong relationship, strong feelings between them.
It marked the first time a tale of Genghis Khan would be acted by Asians, this in contrast to such Hollywood and European attempts like the movie flop The Conqueror and the film Genghis Khan with Omar Sharif.
The film was initially intended to be shot in Mongolia , but the plans caused much protest in the country, as many Mongolians feared that it would not correctly portray their people and their national hero.
Filming began in , lasting 25 weeks and taking place in China, Mongolia, and Kazakhstan. Production designer Dashi Namdakov helped to recreate the pastoral lifestyle of the nomadic tribesmen.
Namdakov is originally from a Russian region which borders Mongolia and is home to many ethnic Mongols. Bodrov remarked, "Dashi has the Mongol culture in his bones and knows how to approach this material.
Describing some of the stunt work, Bodrov claimed: "Not a single horse was hurt on this film. There's a line in the movie, when young Jamukha tells Temüjin, 'For Mongol, horse is more important than woman.
They took very good care of the horses and were very conscientious. Mongol was first released in Russia and Ukraine on 20 September In , certain Asian Pacific countries such as Singapore and Malaysia saw release dates for the film.
In the United States, the film premiered in cinemas on 6 June For that particular weekend, the film fell to 25th place screening in five theaters.
Following its cinematic release in theaters, the Region 1 Code widescreen edition of the film was released on DVD in the United States on 14 October Special features for the DVD include scene selections, subtitles in English and Spanish, and subtitles in English for the hearing-impaired.
The widescreen high-definition Blu-ray Disc version of the film was also released on 14 October Special features include; scene selections and subtitles in English and Spanish.
Among mainstream critics in the U. The site's critics' consensus reads: "The sweeping Mongol mixes romance, family drama, and enough flesh-ripping battle scenes to make sense of Ghenghis Khan's legendary stature.
Claudia Puig of USA Today said the film "has a visceral energy with powerful battle sequences and also scenes of striking and serene physical beauty.
He emphatically believed Bodrov's film was "both ancient and authentic. Equally impressed, Walter Addiego in the San Francisco Chronicle , wrote that the film offers "everything you would want from an imposing historical drama: furious battles between mass armies, unquenchable love between husband and wife, blood brothers who become deadly enemies, and many episodes of betrayal and treachery".
Concerning cinematography, he believed the film included "plenty of haunting landscapes, gorgeously photographed by Sergei Trofimov on location in China, Kazakhstan and Mongolia, along with the sort of warfare scenes that define epics".
Writing for The Boston Globe , Wesley Morris exuberantly exclaimed that Mongol "actually works as an old-fashioned production - one with breathtaking mohawks, a scary yoking, one daring escape, hottish sex, ice, snow, braying sheep, blood oaths, dehydrating dunes, throat singing, a nighttime urination, kidnapping, charged reunions, and relatively authentic entertainment values.
Film critic Roger Ebert writing in the Chicago Sun-Times , called the film a "visual spectacle, it is all but overwhelming, putting to shame some of the recent historical epics from Hollywood.
Scott of The New York Times , stated that Mongol was a "big, ponderous epic, its beautifully composed landscape shots punctuated by thundering hooves and bloody, slow-motion battle sequences.
Similarly, Joe Morgenstern wrote in The Wall Street Journal that the film consisted of battle scenes which were as "notable for their clarity as their intensity; we can follow the strategies, get a sense of who's losing and who's winning.
The physical production is sumptuous. Lisa Schwarzbaum writing for Entertainment Weekly lauded the visual qualities of the film, remarking how Mongol "contrasts images of sweeping landscape and propulsive battle with potent scenes of emotional intimacy", while also referring to its "quite grand, quite exotic, David Lean-style epic" resemblance.
The film however, was not without its detractors. Kyle Smith of the New York Post commented that the film combined the "intelligence of an action movie with the excitement of an art-house release" making Mongol "as dry as summer in the Gobi Desert.
But ultimately thought the film "really isn't worth leaving your yurt for. In another unfavorable opinion, author Tom Hoskyns of The Independent described the film as being "very thin plot-wise.
Joshua Rothkopf of Time Out , added to the negative sentiment by saying Mongol was a "Russian-produced dud. The film was nominated and won several awards in — Various critics included the film on their lists of the top 10 best films of Musetto of the New York Post also named it the eighth-best film of The Mongolian pop singer, Amarkhuu Borkhuu , was offered a role, but declined.
From Wikipedia, the free encyclopedia. Redirected from The Mongol. For other uses, see Genghis Khan disambiguation. Theatrical release poster.
Tuomas Kantelinen Altan Urag. Sergei Trofimov Rogier Stoffers. Release date. Running time. Russia Germany Kazakhstan China Mongolia.
Mongolian Mandarin. This section does not cite any sources. Please help improve this section by adding citations to reliable sources.
Unsourced material may be challenged and removed. January Learn how and when to remove this template message. Tuomas Kantelinen.
British Board of Film Classification. Retrieved 21 April Jamukha fordert von ihm, dass er um Gnade bittet. Da Temudgin dazu aber nicht bereit und auch das Flehen seines Blutsbruders, ihn um sein Leben zu bitten abschlägt, wird er von Jamukha in die Sklaverei verkauft.
Dort bittet er aus seinem Käfig den alten, lange Zeit später um Gnade bittenden, buddhistischen Mönch, in die Mongolei zu reisen und seinen Glücksknochen seinen Leuten als Lebenszeichen zu überbringen.
Der alte Mönch nimmt die Reise durch zentralasiatische Steppen und Wüsten auf sich, stirbt aber kurz vor dem Ziel an Erschöpfung. Dort findet ihn Börte.
Temudgin und Börte reisen zurück in die Mongolei. Börte erwähnt, dass Temudgin die Mongolen eigentlich gar nicht richtig kenne.
Dies seien nur gesetzlose Räuber und Mörder, die auch Frauen und Kinder töten würden. Dort erscheint ihm erneut Tengri in der Gestalt des Wolfes.
Die Armeen von Temudgin und Jamukha stehen sich gegenüber. Es sind die letzten Armeen, die bei den Vereinigungskriegen der Mongolen übriggeblieben sind.
Und tatsächlich zieht während des Kampfes ein Gewitter auf. Die Mongolen haben Angst vor dem Gewitter und verstecken sich unter ihren Schilden.
Allerdings nicht Temudgin. Er reitet unbeeindruckt über das Schlachtfeld. Seine Krieger, die ihn sehen, erheben sich wieder zum Kampf. Die verängstigten Truppen Jamukhas werden geschlagen.
Nach dem Kampf wird Targutai, der an der Seite Jamukhas gekämpft hat, von seinen eigenen Truppen erschlagen und so Temudgin präsentiert.
Temudgin lässt die Mörder seinerseits erschlagen, weil sie ihren Khan verraten haben. Jamukha wird lebend gefasst.
Temudgin fragt Jamukha, was er als Khan an seiner Stelle mit ihm machen würde. Er möchte aber wissen, warum Temudgin keine Angst vor dem Gewitter hatte.
Darauf hin erwidert Temudgin, dass er in seinem Leben nie die Möglichkeit hatte, sich vor dem Gewitter zu verstecken. Irgendwann habe er dann aufgehört, sich zu fürchten.
Er ist jetzt der Khan aller Mongolen, der Dschingis Khan. Ulrike Schröder schrieb in der TV Digital vom Juli Ausgabe 16 , dass der Film ein packender Mix aus Fakten und Legenden sei und den berüchtigten Kriegsherrn als charismatischen Visionär und klugen Strategen zeige, ohne diesen jedoch zu verklären.
Wem das Ende zu abrupt erscheine, der müsse Geduld haben, da eine Trilogie geplant sei und somit eine Fortsetzung folgen werde. Die verbleibenden Teile hatte Bodrov nach Problemen bei der Arbeit am ersten Film zuerst verworfen, bevor er beide Drehbücher zu einem namens The Great Kahn zusammenfasste.
Die Veröffentlichung des Projektes war ursprünglich für das Jahr geplant. Sie wurde jedoch mehrfach verschoben und die Arbeiten im November ohne Aussicht auf Wiederaufnahme eingestellt.
Der Mongole wurde für den Auslands-Oscar nominiert. Namensräume Artikel Diskussion. Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte.
Hauptseite Themenportale Zufälliger Artikel. Deutscher Titel. Der Mongole. Russland , Mongolei , Kasachstan , Deutschland.
Ulrike Schröder schrieb in der TV Digital vom Der Profiling Paris Imdb. Neben der Tradition Sieben Leben Ganzer Film in der Mongolei auch Träume und deren Deutung wichtig und so darf es nicht verwundern, dass Yeruldellger in seinen Träumen von The Game 1997 aktuellen Fällen heimgesucht wird und die Traumfiguren somit nur Die Brücke Am Fluss mit der Realität in Einklang bringen muss. Sie wurde jedoch mehrfach verschoben und die Arbeiten im November ohne Aussicht auf Wiederaufnahme eingestellt. Your browser does not support HTML5 video. Jump to Navigation. Der Film wurde mit bis zu 1. Dabei waren es vor allem die Leerstellen der Biographie, die den Filmemacher interessierten: Da die mongolische Kultur überwiegend auf. Sogar in den endlosen Weiten der mongolischen Steppe lautert das Böse – doch manchmal versteckt es sich gut • Kommissar Yeruldelgger.Der Mongole Navigációs menü Video
Mongol Invasion of Japan (1281)
Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. The story recounts the early life of Genghis Khan who was a slave before going on to conquer half the world in Director: Sergei Bodrov as Sergey Bodrov.
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Nominated for 1 Oscar. Edit Cast Cast overview, first billed only: Tadanobu Asano Temudjin Honglei Sun Jamukha Khulan Chuluun Börte Aliya Oelun - Temudjin's Mother Baasanjav Mijid Targutai He Qi Dai-Sechen Ben Hon Sun Monk Ji Ri Mu Tu Boorchu You Er Edit Storyline The movie is an epic story of a young Genghis Khan and how events in his early life lead him to become a legendary conqueror.
Taglines: Don't despise a weak cub, it can appear the son of a tiger. Edit Did You Know? Trivia Due to the isolation in which the film was made, viewing dailies was impossible.
Goofs When Temujin and Borte are fleeing their pursuers, Temujin is shown shooting his bow in a "Parthian shot" manner at this pursuers, killing one.
In the very next screen shot, Borte and Temujin are shown racing their horses - Temujin's bow is again in its saddle case.
Quotes Jamukha : Don't tell anyone we went to war over a woman. Was this review helpful to you? Yes No Report this.
Q: Why do we not see Genghis Khan capturing other nations? This is what he is most famous for.
Q: What does "You can't cook two rams' heads in one pot" mean? Country: Russia Germany Kazakhstan China. Language: Mongolian Mandarin.
Runtime: min. Börte, however, is kidnapped and taken to the Merkit camp. Temüjin goes to Jamukha—who is now his tribe's Khan—and seeks his help in rescuing his wife.
Jamukha agrees, and after a year, they launch an attack on the Merkits and are successful. One night, while celebrating their victory, Temüjin demonstrates his generosity by allowing his troops to take an equal share of the plunder.
Two of Jamukha's men see this as a stark contrast to their Khan's behavior and desert him the next morning by following their new master.
Jamukha chases him down and demands that he give his men back, to which he refused. This act, aggravated by the inadvertent killing of his biological brother by one of Temüjin's men, leaves Jamukha with Targutai as an ally no choice but to declare war on him.
Outnumbered, Temüjin's army is quickly defeated. Sparing his blood brother, Jamukha decides to sell him into slavery. Temüjin is sold to a Tangut nobleman despite the dire warning given to him by a Buddhist monk acting as his adviser, who senses the great potential the warrior carries and his future role in subjugating the Tangut State.
While he is imprisoned, the monk pleads with him to spare his monastery when he will destroy the kingdom sometime in the future.
In exchange for delivering a bone fragment to Börte indicating that he is still alive, Temüjin agrees.
The monk succeeds in delivering the bone and the message at the cost of his life. Börte infiltrates the Tangut border town disguised as a merchant's concubine and the two escape.
Temüjin pledges to unify all of the Mongol tribes and imposes three basic laws for them to abide to: never kill women and children, always honor your promises and repay your debts, and never betray your Khan.
Subsequently, , he gathers an army and engages Jamukha, who has an even larger force. During the battle, a thunderstorm arises on the steppe, terrifying Jamhukha's and Temujin's armies, who cower in fear.
However Temujin doesn't cower in fear , and when his army sees him riding unafraid they are inspired to also be fearless and charge Jamukha's helpless and cowering army, which surrenders immediately.
Temüjin allows Jamukha to live and brings the latter's army under his banner. Targutai is killed by his own soldiers and his body is presented to the Khan as a way of appeasing him, but they are executed for disobeying the law.
He would later go on to invade and conquer the Tangut kingdom by , fulfilling the monk's prophecy, but spared the monastery, honoring his debt to the monk.
The premise of Mongol is the story of Genghis Khan, the Mongol leader who founded the Mongol Empire , which ruled expansive areas of Eurasia.
The film depicts the early life of Temüjin, not as an evil war-mongering brute, but rather an inspiring visionary leader.
Director Bodrov noted that "Russians lived under Mongolian rule for around years" and that "Genghis Khan was portrayed as a monster".
During the s, Bodrov read a book by Russian historian Lev Gumilev entitled The Legend of the Black Arrow , which offered a more disciplined view of the Mongol leader and influenced Bodrov to create a film project about the warrior.
Bodrov spent several years researching the aspects of his story, discovering that Khan was an orphan, a slave and a combatant whom everyone tried to kill.
He found difficulty in preparing the screenplay for the film due to the fact that no contemporary Mongol biography existed.
Author Gumilev had used the work as a historical reference and a work of significant literature. Speaking on the choice of Tadanobu Asano to portray Temüjin, Bodrov commented that although it might have seemed odd to cast a Japanese actor in the role, he explained that the Mongol ruler was seen by many Japanese as one of their own.
Bodrov said, "The Japanese had a very famous ancient warrior who disappeared, and they think he went to Mongolia and became Genghis Khan.
He's a national hero, Genghis Khan. Mongolians can claim he's Mongolian, but the Japanese, they think they know who he is.
Describing the character interaction between Asano and Honglei, he noted "They're completely different people, Temüjin and Jamukha, but they have a strong relationship, strong feelings between them.
It marked the first time a tale of Genghis Khan would be acted by Asians, this in contrast to such Hollywood and European attempts like the movie flop The Conqueror and the film Genghis Khan with Omar Sharif.
The film was initially intended to be shot in Mongolia , but the plans caused much protest in the country, as many Mongolians feared that it would not correctly portray their people and their national hero.
Filming began in , lasting 25 weeks and taking place in China, Mongolia, and Kazakhstan. Production designer Dashi Namdakov helped to recreate the pastoral lifestyle of the nomadic tribesmen.
Namdakov is originally from a Russian region which borders Mongolia and is home to many ethnic Mongols. Bodrov remarked, "Dashi has the Mongol culture in his bones and knows how to approach this material.
Describing some of the stunt work, Bodrov claimed: "Not a single horse was hurt on this film. There's a line in the movie, when young Jamukha tells Temüjin, 'For Mongol, horse is more important than woman.
They took very good care of the horses and were very conscientious. Mongol was first released in Russia and Ukraine on 20 September In , certain Asian Pacific countries such as Singapore and Malaysia saw release dates for the film.
In the United States, the film premiered in cinemas on 6 June For that particular weekend, the film fell to 25th place screening in five theaters.
Following its cinematic release in theaters, the Region 1 Code widescreen edition of the film was released on DVD in the United States on 14 October Special features for the DVD include scene selections, subtitles in English and Spanish, and subtitles in English for the hearing-impaired.
The widescreen high-definition Blu-ray Disc version of the film was also released on 14 October Special features include; scene selections and subtitles in English and Spanish.
Among mainstream critics in the U. The site's critics' consensus reads: "The sweeping Mongol mixes romance, family drama, and enough flesh-ripping battle scenes to make sense of Ghenghis Khan's legendary stature.
Claudia Puig of USA Today said the film "has a visceral energy with powerful battle sequences and also scenes of striking and serene physical beauty.
He emphatically believed Bodrov's film was "both ancient and authentic. Equally impressed, Walter Addiego in the San Francisco Chronicle , wrote that the film offers "everything you would want from an imposing historical drama: furious battles between mass armies, unquenchable love between husband and wife, blood brothers who become deadly enemies, and many episodes of betrayal and treachery".
Concerning cinematography, he believed the film included "plenty of haunting landscapes, gorgeously photographed by Sergei Trofimov on location in China, Kazakhstan and Mongolia, along with the sort of warfare scenes that define epics".
Writing for The Boston Globe , Wesley Morris exuberantly exclaimed that Mongol "actually works as an old-fashioned production - one with breathtaking mohawks, a scary yoking, one daring escape, hottish sex, ice, snow, braying sheep, blood oaths, dehydrating dunes, throat singing, a nighttime urination, kidnapping, charged reunions, and relatively authentic entertainment values.
Film critic Roger Ebert writing in the Chicago Sun-Times , called the film a "visual spectacle, it is all but overwhelming, putting to shame some of the recent historical epics from Hollywood.
Scott of The New York Times , stated that Mongol was a "big, ponderous epic, its beautifully composed landscape shots punctuated by thundering hooves and bloody, slow-motion battle sequences.
Similarly, Joe Morgenstern wrote in The Wall Street Journal that the film consisted of battle scenes which were as "notable for their clarity as their intensity; we can follow the strategies, get a sense of who's losing and who's winning.
The physical production is sumptuous. Lisa Schwarzbaum writing for Entertainment Weekly lauded the visual qualities of the film, remarking how Mongol "contrasts images of sweeping landscape and propulsive battle with potent scenes of emotional intimacy", while also referring to its "quite grand, quite exotic, David Lean-style epic" resemblance.
The film however, was not without its detractors. Kyle Smith of the New York Post commented that the film combined the "intelligence of an action movie with the excitement of an art-house release" making Mongol "as dry as summer in the Gobi Desert.
But ultimately thought the film "really isn't worth leaving your yurt for. In another unfavorable opinion, author Tom Hoskyns of The Independent described the film as being "very thin plot-wise.
Joshua Rothkopf of Time Out , added to the negative sentiment by saying Mongol was a "Russian-produced dud. The film was nominated and won several awards in — Various critics included the film on their lists of the top 10 best films of Musetto of the New York Post also named it the eighth-best film of The Mongolian pop singer, Amarkhuu Borkhuu , was offered a role, but declined.
From Wikipedia, the free encyclopedia. Redirected from The Mongol. For other uses, see Genghis Khan disambiguation.
Theatrical release poster. Tuomas Kantelinen Altan Urag. Sergei Trofimov Rogier Stoffers. Release date. Running time. Russia Germany Kazakhstan China Mongolia.
Mongolian Mandarin. This section does not cite any sources. Please help improve this section by adding citations to reliable sources.
Unsourced material may be challenged and removed. January Learn how and when to remove this template message.







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