Gods Of Egypt 2019
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Gods of Egypt ist der mit Abstand schlechteste Film, den ich in Dekaden gesehen Juli Verifizierter Kauf. Endlich mal ein Film über ägyptische Götter. Gods of Egypt ist ein Fantasyfilm des Regisseurs Alex Proyas aus dem Jahr mit Gerard Butler, Nikolaj Coster-Waldau und Brenton Thwaites in den. Chadwick Boseman, Gerard Butler und Rufus Sewell in einem Film von Alex Proyas. Der sterbliche Held Bek tritt eine gefährliche Reise an, um nicht nur seine. Gods of Egypt: Sendetermine · Streams · DVDs · Cast & Crew. Gods Of Egypt (4K Ultra HD) (+ Blu-ray). Gods Of Egypt (4K Ultra Sa – DVD-Tipp. DVD GODS OF EGYPT · Bestellen Doku-Film "Jonas Brothers: Chasing Happiness" über Musik-Stars () · Quoten: "Luke! Die Schule und. Rosenhof Lichtspiele - Rosenhofweg 2, Moosburg: Gods of Egypt | Aktuelles Kinoprogramm, Kino, Film- und Kino-Infos, Online-Tickets, News, Events. Jun 8, - Mesir, neraka, pertarungan, mitologi, Nil, perang, pencuri, menyelamatkan, gurun, mesir kuno, dewa, Mesir, mitologi mitos.
Geoffrey Rush as Ra is the cherry on top. Runtime is over two hours which passes away in a jinx since the action is non stop and there are always new extraordinary god characters on screen with different skill sets, good and evil characters with lots of variety.
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Mortal hero Bek teams with the god Horus in an alliance against Set, the merciless god of darkness, who has usurped Egypt's throne, plunging the once peaceful and prosperous empire into chaos and conflict.
Director: Alex Proyas. Writers: Matt Sazama , Burk Sharpless. Added to Watchlist. From metacritic. Movies - Swords or Sorcery.
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Edit Cast Cast overview, first billed only: Brenton Thwaites Bek John Samaha Vendor Courtney Eaton Filming took place in Australia under the American film production and distribution company Summit Entertainment.
When Lionsgate began promoting the film in November , it received backlash for its predominantly white cast playing Egyptian deities.
In response, Lionsgate and director Proyas apologized for ethnically inaccurate casting. It received five nominations at the 37th Golden Raspberry Awards.
In ancient Egypt, the ruling god Osiris is killed by his jealous brother Set during the coronation of Osiris's son Horus.
Set seizes the throne and declares that mankind must pay riches to pass into the afterlife. Stripped of his eyes, Horus is exiled as Egypt is driven to its knees.
One year later, a thief named Bek is given the plans for Set's pyramid by his lover Zaya, a slave to chief architect Urshu. Zaya is killed, and Bek takes her body to Horus and gives him the eye, promising to find the other if he brings Zaya back from the dead.
They visit the divine vessel of Horus' grandfather Ra. Set asks Hathor to take him to the underworld, but she refuses and escapes.
After an attack by Minotaurs led by Mnevis , followed by other minions and giant cobras, Hathor rescues Horus and Bek. Horus is mistrustful of Hathor, who claims Set is also her enemy.
Bek and Horus explain their plan to infiltrate Set's pyramid, and Hathor warns of a guardian sphinx. Overcoming the pyramid's traps, they reach the source of Set's power.
Before they can use the divine water, Set traps them, destroying the divine water and taking Thoth's brain, but Horus saves Hathor and Bek.
Sacrificing her own safety, Hathor gives Bek her bracelet as payment for Zaya for the afterlife and calls Anubis to take him to Zaya, letting herself be dragged to the underworld.
Absorbing Thoth's brain, Osiris's heart, Horus's other eye, and wings from Nephthys , Set confronts Ra about his mistreatments, which Ra explains were tests to prepare Set for his true role: taking Ra's place aboard his solar barge as defender of the world against Apophis.
Dismayed, Set decides to destroy the afterlife to become immortal. Ra blasts him with his spear, but Set survives through his absorbed powers.
He stabs Ra, taking his spear and casting him off the barge, freeing Apophis to consume the mortal and underworld realms.
Zaya refuses Hathor's gift, not wanting an afterlife without Bek. Apophis attacks, and the gate to the afterlife is closed. Bek returns to the mortal world, determined to stop Set and encouraging Horus that Zaya still had faith in him.
Horus battles Set atop an obelisk , but is heavily outmatched. Bek throws Urshu to his death and joins the battle on the obelisk, removing Horus' stolen eye from Set's armor, but is mortally wounded.
Sliding toward the edge of the obelisk, Bek throws the eye to Horus, who must choose either to catch it or to save Bek.
Horus reaches for Bek, apologizing for all he has put him through. As they plummet toward the ground, Horus regains his power to transform, flying Bek to safety.
Horus realizes that his true destiny was to protect his people. With renewed strength, Horus outmaneuvers and kills Set. Finding Ra wounded in the aether, Horus returns his spear, allowing Ra to repel Apophis, and Anubis to reopen the gates.
A child in the crowd returns Horus' other eye and the god lays a dying Bek in Osiris's tomb beside Zaya.
For his deeds, Ra offers to bestow Horus with any power, but all Horus wants is to bring Bek and Zaya back to life.
Ra grants his wish, and the other gods were restored, except Horus' parents who had already passed into the afterlife. Horus is crowned king and declares access to the afterlife will be paid with good deeds in life.
Bek is made chief advisor and gives Horus Hathor's bracelet; Horus leaves to rescue her from the underworld. The film was produced under Summit Entertainment.
Proyas was contracted by Summit in May , to write the screenplay with Sazama and Sharpless, and to direct the film. Actor Nikolaj Coster-Waldau was cast in June The film was shot in Australia.
A crew of began pre-production in Sydney in New South Wales , and producers considered filming in Melbourne in Victoria , to take advantage of the state's tax incentive.
Docklands Studios Melbourne was too booked to accommodate Gods of Egypt , and producers were instead offered an airport facility for production.
In the film, the gods in humanoid form are 9 feet 2. Proyas used forced perspective and motion control photography to portray the difference in height between the actors portraying the gods and the humans.
Proyas called the logistical challenge a "reverse Hobbit", referring to The Lord of the Rings films, in which Hobbits are depicted as shorter than humans.
For the god Thoth, who can appear as many copies, actor Chadwick Boseman was filmed hundreds of times from different angles. For a scene with many copies of Thoth, other actors took a day to film the scene, where Boseman filmed the scene for three days.
None of the main actors were of Egyptian descent. White actors, predominantly of northwestern European descent, make up most of the principal cast of Gods of Egypt.
When Lionsgate began marketing the film, the Associated Press said the distributor received backlash for ethnically inaccurate casting.
Lionsgate and director Alex Proyas both issued apologies. The AP said, "While some praised the preemptive mea culpa The casting practice of white actors as Ancient Egyptian characters was first reported after filming started in March , when Daily Life ' s Ruby Hamad highlighted the practice as "Hollywood whitewashing".
Some suggested that the casting of black actor Chadwick Boseman , who plays the god Thoth , played into the Magical Negro stereotype.
The previous year, the biblical epic Exodus: Gods and Kings by director Ridley Scott received similar backlash for having a white cast.
She said with the release of Aziz Ansari 's TV series Master of None in the previous week, "Whitewashed casting and the offensiveness of brownface has pretty much dominated the pop culture conversation this week.
Promotion for the movie is beginning just as we're wrapping a banner year for discussions of diversity and gender pay equity in the film industry. When Lionsgate followed its release of posters with a release of a theatrical trailer, Scott Mendelson at Forbes said, "The implication remains that white actors, even generic white actors with zero box office draw, are preferable in terms of domestic and overseas box office than culturally-specific minority actors who actually look like the people they are supposed to be playing.
Lincoln said of the released trailer, "Casting here stands out like a sore thumb leftover from s Hollywood. I suspect this film generates a lot of conversation before it hits theaters February 26, In response to criticisms of its casting practice, director Alex Proyas and Lionsgate issued apologies in late November for not considering diversity; Lionsgate said it would strive to do better.
Mendelson of Forbes said the apologies were "a somewhat different response" than defenses made by Ridley Scott for Exodus and Joe Wright for Pan An unusual occurrence worth noting.
They want the cast that they selected and they don't want people to hold it against them that it's a white cast. Boseman, who plays the god Thoth, commenting on the whitewashing, said he expected the backlash to happen when he saw the script.
He said, "I'm thankful that it did, because actually, I agree with it. That's why I wanted to do it, so you would see someone of African descent playing Thoth, the father of mathematics, astronomy, the god of wisdom.
I'm not even playing an Egyptian; I'm an 8-foot-tall god who turns into a falcon. A part of me just wants to freak out, but then I think, 'There's nothing you can do about it.
In the month leading up to release, director Proyas said his film was fantasy and not intended to be history. He cited "creative license and artistic freedom of expression" to cast the actors he found to fit the roles.
He said "white-washing" was a justified concern but for his fantasy film, "To exclude any one race in service of a hypothetical theory of historical accuracy He argued that the lack of English-speaking Egyptian actors, production practicalities, the studio's requirement for box office draws, and Australia having guidelines limiting "imported" actors were all factors in casting for the film.
He concluded, "I attempted to show racial diversity, black, white, Asian, as far as I was allowed, as far as I could, given the limitations I was given.
It is obviously clear that for things to change, for casting in movies to become more diverse many forces must align.
Not just the creative. To those who are offended by the decisions which were made I have already apologised. I respect their opinion, but I hope the context of the decisions is a little clearer based on my statements here.
This time of course they have bigger axes to grind — they can rip into my movie while trying to make their mainly pale asses look so politically correct by screaming 'white-wash!!!
The magazine said the film had "a strong ensemble cast" and that its director has "had a noteworthy following".
BoxOffice also said the premise could attract movie-goers who saw Clash of the Titans , Wrath of the Titans , and the Percy Jackson films. Admissions to 3D screenings would help boost Gods of Egypt ' s gross.
The magazine said factors negatively affecting the film's gross were a "lackluster reaction" to its marketing and the backlash to its predominantly white cast causing negative buzz.
It anticipated that the film's release would be front-loaded focused on profiting mainly from opening weekend due to the poor buzz, its categorization as a fantasy film, and with London Has Fallen opening the following weekend.
He said the film could attract Alex Proyas's fan base but that it had suffered "some negativity out there" due to the predominantly white casting as well as the film being perceived to have an "old-fashioned" feel.
Exhibitor Relations senior media analyst Jeff Bock said the film "feels late" years after the release of and Immortals , and an earlier production and release would have been more advantageous.
Ryan Faughnder of the Los Angeles Times said in the week before the film's release that the expected opening weekend gross meant that Lionsgate's plans to make Gods of Egypt the first film in a new franchise were unlikely.
Faughnder said the film would need to perform strongly in territories outside the United States and Canada for a sequel to be developed.
Lionsgate released Gods of Egypt in theaters globally starting on February 25 , In the United States and Canada, the film was released in 3, theaters.
Outside North America, the film got a staggered release. Le Vision Pictures acquired rights from Lionsgate in November to distribute Gods of Egypt in China, [54] and released the film there on March 11 , Gods of Egypt was panned by critics.
Alonso Duralde of TheWrap wrote, "A mishmash of unconvincing visual effects and clumsy writing—not to mention another depiction of ancient Egypt in which the lead roles are almost all played by white folks— Gods of Egypt might have merited a so-bad-it's-good schadenfreude fanbase had it maintained the unintentional laughs of its first 10 minutes.
Instead, it skids into dullness, thus negating the camp classic that it so often verges on becoming. But this bloated enterprise is so tiresome by the end, it seems more likely headed for a long rest somewhere in the cinematic afterlife.
Club called Gods of Egypt "overlong and very silly," and said: "A treasure trove of gilded fantasy bric-a-brac and clashing accents, Proyas' sword-and-sandals space opera is a head above the likes of Wrath of the Titans , but it rapidly devolves into a tedious and repetitive succession of monster chases, booby traps, and temples that start to crumble at the last minute.
Jordan Hoffman of The Guardian said, "This is ridiculous. This is offensive. This shouldn't be, and I'm not going to say otherwise if you can't bring yourself to buy a ticket for this movie.
But if you are on the fence you can always offset your karmic footprint with a donation to a charity, because this movie is a tremendous amount of fun.
In response to the reviews, director Proyas posted to Facebook calling critics "diseased vultures pecking at the bones of a dying carcass", who were "trying to peck to the rhythm of the consensus.
I applaud any film-goer who values their own opinion enough to not base it on what the pack-mentality says is good or bad.
From Wikipedia, the free encyclopedia. Theatrical release poster. Basil Iwanyk Alex Proyas. Matt Sazama Burk Sharpless. Release date. Running time.
United States Australia [2]. Emma Booth as Nephthys , the Goddess of Protection. Alexander England as the voice and motion capture of Mnevis , the leader of the Egyptian Minotaurs that work for Set.
It is inspired by Egyptian mythology, but it makes no attempt at historical accuracy because that would be pointless — none of the events in the movie ever really happened.
It is about as reality-based as Star Wars — which is not real at all Maybe one day if I get to make further chapters I will reveal the context of the when and where of the story.
But one thing is for sure — it is not set in Ancient Egypt at all.
Beyond familial ties, he was worshiped as the Egyptian god of the moon and also time and even healing. Quite intriguingly, while Khonsu was venerated as the amiable scion of Amun during the New Kingdom era, his origins rather alluded to the darker side of affairs during the earlier periods.
Reverting to his more genial persona, as perceived during the New Kingdom, Khonsu was depicted as a young man mostly in a mummy pose with a sidelock or braid and a curved beard — features that hinted at both his youthful and godly nature.
Pertaining to the latter aspect, Khonsu , the protector , was possibly also venerated as a deity of love, fertility, menstrual cycles, and lifespans often worshiped along with Ptah — the creator god, discussed later in the article.
Continuing with this possibly pre-dynastic concept, Hathor was also regarded as the mother of the sun god Ra. Considering these aspects, suffice it to say, Hathor was regarded as a protective and benevolent deity who often personified kindness.
She was also closely associated with matters of womanly love and health, so much so that many women beheld her as the counterpart to Osiris in the afterlife.
And as for her physical attributes, Hathor was often depicted as a woman with the head of a cow or having an entire cow form. She was also represented with the sistrum rattle-like musical instrument that was used to drive evil from the land — a facet that was later applied to the goddess Isis.
Given such propensity for feline symbolization, cats were uniquely sacred in Egypt — so much so that the punishment for killing a cat was death by stabbing.
According to Herodotus, Egyptians were so fond of their cats that they preferred to save their cats instead of themselves when trapped inside a burning building.
Some cats were also known to be mummified in a ceremonious manner with jewelry — as was the case with many noble people. The adorable critters ranging from cats, dogs to even sheep, dissuaded the animal-loving Egyptians from firing their arrows — thus allowing the Persians to take the initiative and win the battle.
Venerated as an important deity during the Old Kingdom period circa 27th century — 22nd century BC , she was considered as the daughter of Atum or Ra , and as such implied the superiority of order, justice, and even harmony.
Simply put, this ambit of balance was perceived as a principle that was to be adopted by Egyptians in their daily lives, which in turn established the virtues of truth, family life, and the belief system centered around the various deities.
And when it comes to her physical appearance, Maat was often depicted as a winged woman with an ostrich feather on her head. The latter apparel had symbolic significance since the feather of Maat was the instrumental object in the Weighing of the Heart ceremony in the afterlife.
These motifs suggested the combined essence of his creative prowess, — the power, life-giving ability, and stability.
In terms of history, Nut was considered as one of the oldest Egyptian gods, with her lore harking back to the founding story of Heliopolis, a city corresponding to a present-day Cairo suburb that had been inhabited since the Predynastic Period, circa BC.
Some of the mythical narratives from ancient Egypt pertain to how Nut as the Sky mates with her husband the Earth to give birth to a host of powerful Egyptian gods like Osiris , Isis , and Set.
He achieves the feat by tricking Khonsu , the God of Moon, and thus the births are given during five days illuminated by the moonlight instead of the sun.
In any case, Nut was often depicted wearing a water-pot headdress with the water-pot sign nw signifying her very name.
In essence, the Egyptian goddess was perceived as the divine mother of the kings, while Horus discussed later in the article was associated with the Pharaohs themselves.
This analogy of the throne was also prevalent in the very depiction of Isis , with her original headdress carrying an empty throne that signified the seat of her slain husband.
Moreover, the adoration of the goddess also reached beyond the traditional boundaries of ancient Egypt, to account for a persistent cult that was spread across the later Greco-Roman world.
In addition to his role as the lord of the underworld — a title that was passed to him after his murder by his brother Set , Osiris was also regarded as the god of transition since the death in itself was not seen as an absolute condition and even regeneration.
Finally, coming to the physical attributes of Osiris , the god was often depicted as a mummified bearded king with green or black skin — to represent both death and resurrection.
His legacy is also fueled by his epic mythical battle against the adversary Set , from which Horus emerged victorious, thereby uniting the two lands of Egypt, albeit after losing one of his eyes.
In essence, the avenging Egyptian deity was also perceived as a god of war whose name was frequently invoked before actual battles by the rulers and commanders.
On the other hand, his restored eye, personified as the Eye of Horus, was the ancient Egyptian symbol for protection and sacrifice.
However, if we consider the historical evidence, Set was perceived as a divine entity since the Predynastic period before 3rd millennium BC , with his center of worship possibly originating from the town of Nubt, which is one of the oldest settlements in Upper Egypt.
In any case, Set was originally regarded as a more-or-less benevolent and esteemed entity who sometimes served as an ally of Ra , and was tasked with the protection of oases in the deserts.
But over time, he was also associated with peculiar and frightening phenomena like eclipses, storms, and thunders — thus suggesting a dark side to his personification.
Once again, reverting to history, some part of this scope possibly had to do with the foreign Hyksos, who adopted Set as one of their gods — which could have fueled a reactionary measure from the future native Egyptians who saw Set as an agent of evil.
Other historians have hypothesized that the battle between Set and Horus , as opposed to a confrontation between good and evil, was rather a symbolic representation of the struggle to unite Egypt under one ruler.
A few scholars have argued that the Set animal possibly represents a giraffe, though ancient Egyptians seem to have differentiated between giraffes and the enigmatic hybrid creature.
And the Late Egyptian period post BC artists tended to depict Set exclusively with a donkey head.
Min also known as Menew and Amsu was among the oldest of the deities worshiped by the ancient Egyptians whose origins go back to the Predynastic Period of late 4th millennium BC.
It is entirely possible that the cults of the early era tended to worship objects like the barbed arrow as a symbol of the god.
Over time, he was endowed with a human form and often represented through the double-headed arrow resembling Min Standard.
In the centuries leading up to the Middle Kingdom circa pre 20th century BC , Min was regarded as the deity of Orion constellation and was often associated with both thunder and rain.
The Pyramid Texts also refer to Min as a patron of traveling caravans, traders, and miners, thereby making him the protector and Lord of the Eastern Desert.
By the Middle Kingdom era circa 20th — 17th century BC , Min was increasingly perceived as a deity of fertility and male sexuality.
During this period, the long-leafed lettuce was the symbol of Min , possibly because it was considered to be an aphrodisiac.
The association with fertility also translated into the virile force of nature mirrored by agriculture and verdancy — and thus harvests were celebrated with games and processions in his honor.
By the New Kingdom era, the rituals of Min possibly alluded to the metaphorical male seed in the form of plant seeds that had to be sowed by the Pharoah to prove his virility.
Furthermore, Min was perhaps also venerated as an aspect of Osiris , along with his worship as the composite god Ptah-Min.
Possibly of the most visually recognizable of the ancient Egyptian gods, Anubis or rather Anpu or Inpu in Egyptian language was represented as a jackal-headed entity associated with the rites of embalming the deceased and the related afterlife.
And like many contemporary Egyptian gods, Anubis did have other aspects, but his core attributes were seemingly always related to the matters of death.
For example, even during the 1st Dynasty period circa BC , Anubis was perceived as a protector of graves — possibly to endow a positive aspect to the propensity of jackals who tended to dig up shallow graves.
To that end, Anubis pertained to one of the rare ancient Egyptian gods, who in spite of his ancient legacy, was not venerated in dedicated precincts and temples at least according to archaeological evidence or lack thereof.
In any case, given his stature as one of the major Egyptian gods of balance, Thoth equally healed and aided both the parties Horus and Set in their epic battle.
He was also credited as the inventor of the alphabet, mathematics, surveying, geometry and even botany.
Sobek also known as Sebek and Sobeq represented the antithetical nature of Nile — its life-giving fertile scope and the dangerous reptiles that resided within the river.
The composite of these two ambits brought forth the veneration of the Crocodile God — Sobek , the deity intrinsically tied to the Nile.
Another myth notes how he laid eggs in the primordial waters of Nun to create the very world Egyptians lived in. But his worship reached prominence during the Twelfth Dynasty circa 18th century BC , especially in the Faiiyum region of Egypt after the construction of a pyramid by Pharaoh Senusret II.
As for his depiction, Sobek was often represented as a man with the head of a crocodile that was further adorned with a plumed headdress and the Atef crown.
Interestingly enough, archaeologists have found mummified crocodiles of both adult and infant variety in ancient Egyptian tombs, which rather alludes to the popularity of Sobek as one of the major Egyptian gods.
In ancient Egypt, the ruling god Osiris is killed by his jealous brother Set during the coronation of Osiris's son Horus.
Set seizes the throne and declares that mankind must pay riches to pass into the afterlife. Stripped of his eyes, Horus is exiled as Egypt is driven to its knees.
One year later, a thief named Bek is given the plans for Set's pyramid by his lover Zaya, a slave to chief architect Urshu.
Zaya is killed, and Bek takes her body to Horus and gives him the eye, promising to find the other if he brings Zaya back from the dead.
They visit the divine vessel of Horus' grandfather Ra. Set asks Hathor to take him to the underworld, but she refuses and escapes.
After an attack by Minotaurs led by Mnevis , followed by other minions and giant cobras, Hathor rescues Horus and Bek.
Horus is mistrustful of Hathor, who claims Set is also her enemy. Bek and Horus explain their plan to infiltrate Set's pyramid, and Hathor warns of a guardian sphinx.
Overcoming the pyramid's traps, they reach the source of Set's power. Before they can use the divine water, Set traps them, destroying the divine water and taking Thoth's brain, but Horus saves Hathor and Bek.
Sacrificing her own safety, Hathor gives Bek her bracelet as payment for Zaya for the afterlife and calls Anubis to take him to Zaya, letting herself be dragged to the underworld.
Absorbing Thoth's brain, Osiris's heart, Horus's other eye, and wings from Nephthys , Set confronts Ra about his mistreatments, which Ra explains were tests to prepare Set for his true role: taking Ra's place aboard his solar barge as defender of the world against Apophis.
Dismayed, Set decides to destroy the afterlife to become immortal. Ra blasts him with his spear, but Set survives through his absorbed powers. He stabs Ra, taking his spear and casting him off the barge, freeing Apophis to consume the mortal and underworld realms.
Zaya refuses Hathor's gift, not wanting an afterlife without Bek. Apophis attacks, and the gate to the afterlife is closed.
Bek returns to the mortal world, determined to stop Set and encouraging Horus that Zaya still had faith in him.
Horus battles Set atop an obelisk , but is heavily outmatched. Bek throws Urshu to his death and joins the battle on the obelisk, removing Horus' stolen eye from Set's armor, but is mortally wounded.
Sliding toward the edge of the obelisk, Bek throws the eye to Horus, who must choose either to catch it or to save Bek. Horus reaches for Bek, apologizing for all he has put him through.
As they plummet toward the ground, Horus regains his power to transform, flying Bek to safety. Horus realizes that his true destiny was to protect his people.
With renewed strength, Horus outmaneuvers and kills Set. Finding Ra wounded in the aether, Horus returns his spear, allowing Ra to repel Apophis, and Anubis to reopen the gates.
A child in the crowd returns Horus' other eye and the god lays a dying Bek in Osiris's tomb beside Zaya. For his deeds, Ra offers to bestow Horus with any power, but all Horus wants is to bring Bek and Zaya back to life.
Ra grants his wish, and the other gods were restored, except Horus' parents who had already passed into the afterlife.
Horus is crowned king and declares access to the afterlife will be paid with good deeds in life. Bek is made chief advisor and gives Horus Hathor's bracelet; Horus leaves to rescue her from the underworld.
The film was produced under Summit Entertainment. Proyas was contracted by Summit in May , to write the screenplay with Sazama and Sharpless, and to direct the film.
Actor Nikolaj Coster-Waldau was cast in June The film was shot in Australia. A crew of began pre-production in Sydney in New South Wales , and producers considered filming in Melbourne in Victoria , to take advantage of the state's tax incentive.
Docklands Studios Melbourne was too booked to accommodate Gods of Egypt , and producers were instead offered an airport facility for production.
In the film, the gods in humanoid form are 9 feet 2. Proyas used forced perspective and motion control photography to portray the difference in height between the actors portraying the gods and the humans.
Proyas called the logistical challenge a "reverse Hobbit", referring to The Lord of the Rings films, in which Hobbits are depicted as shorter than humans.
For the god Thoth, who can appear as many copies, actor Chadwick Boseman was filmed hundreds of times from different angles.
For a scene with many copies of Thoth, other actors took a day to film the scene, where Boseman filmed the scene for three days.
None of the main actors were of Egyptian descent. White actors, predominantly of northwestern European descent, make up most of the principal cast of Gods of Egypt.
When Lionsgate began marketing the film, the Associated Press said the distributor received backlash for ethnically inaccurate casting.
Lionsgate and director Alex Proyas both issued apologies. The AP said, "While some praised the preemptive mea culpa The casting practice of white actors as Ancient Egyptian characters was first reported after filming started in March , when Daily Life ' s Ruby Hamad highlighted the practice as "Hollywood whitewashing".
Some suggested that the casting of black actor Chadwick Boseman , who plays the god Thoth , played into the Magical Negro stereotype. The previous year, the biblical epic Exodus: Gods and Kings by director Ridley Scott received similar backlash for having a white cast.
She said with the release of Aziz Ansari 's TV series Master of None in the previous week, "Whitewashed casting and the offensiveness of brownface has pretty much dominated the pop culture conversation this week.
Promotion for the movie is beginning just as we're wrapping a banner year for discussions of diversity and gender pay equity in the film industry.
When Lionsgate followed its release of posters with a release of a theatrical trailer, Scott Mendelson at Forbes said, "The implication remains that white actors, even generic white actors with zero box office draw, are preferable in terms of domestic and overseas box office than culturally-specific minority actors who actually look like the people they are supposed to be playing.
Lincoln said of the released trailer, "Casting here stands out like a sore thumb leftover from s Hollywood. I suspect this film generates a lot of conversation before it hits theaters February 26, In response to criticisms of its casting practice, director Alex Proyas and Lionsgate issued apologies in late November for not considering diversity; Lionsgate said it would strive to do better.
Mendelson of Forbes said the apologies were "a somewhat different response" than defenses made by Ridley Scott for Exodus and Joe Wright for Pan An unusual occurrence worth noting.
They want the cast that they selected and they don't want people to hold it against them that it's a white cast. Boseman, who plays the god Thoth, commenting on the whitewashing, said he expected the backlash to happen when he saw the script.
He said, "I'm thankful that it did, because actually, I agree with it. That's why I wanted to do it, so you would see someone of African descent playing Thoth, the father of mathematics, astronomy, the god of wisdom.
I'm not even playing an Egyptian; I'm an 8-foot-tall god who turns into a falcon. A part of me just wants to freak out, but then I think, 'There's nothing you can do about it.
In the month leading up to release, director Proyas said his film was fantasy and not intended to be history. He cited "creative license and artistic freedom of expression" to cast the actors he found to fit the roles.
He said "white-washing" was a justified concern but for his fantasy film, "To exclude any one race in service of a hypothetical theory of historical accuracy He argued that the lack of English-speaking Egyptian actors, production practicalities, the studio's requirement for box office draws, and Australia having guidelines limiting "imported" actors were all factors in casting for the film.
He concluded, "I attempted to show racial diversity, black, white, Asian, as far as I was allowed, as far as I could, given the limitations I was given.
It is obviously clear that for things to change, for casting in movies to become more diverse many forces must align. Not just the creative.
To those who are offended by the decisions which were made I have already apologised. I respect their opinion, but I hope the context of the decisions is a little clearer based on my statements here.
This time of course they have bigger axes to grind — they can rip into my movie while trying to make their mainly pale asses look so politically correct by screaming 'white-wash!!!
The magazine said the film had "a strong ensemble cast" and that its director has "had a noteworthy following". BoxOffice also said the premise could attract movie-goers who saw Clash of the Titans , Wrath of the Titans , and the Percy Jackson films.
Admissions to 3D screenings would help boost Gods of Egypt ' s gross. The magazine said factors negatively affecting the film's gross were a "lackluster reaction" to its marketing and the backlash to its predominantly white cast causing negative buzz.
It anticipated that the film's release would be front-loaded focused on profiting mainly from opening weekend due to the poor buzz, its categorization as a fantasy film, and with London Has Fallen opening the following weekend.
He said the film could attract Alex Proyas's fan base but that it had suffered "some negativity out there" due to the predominantly white casting as well as the film being perceived to have an "old-fashioned" feel.
Exhibitor Relations senior media analyst Jeff Bock said the film "feels late" years after the release of and Immortals , and an earlier production and release would have been more advantageous.
Ryan Faughnder of the Los Angeles Times said in the week before the film's release that the expected opening weekend gross meant that Lionsgate's plans to make Gods of Egypt the first film in a new franchise were unlikely.
Faughnder said the film would need to perform strongly in territories outside the United States and Canada for a sequel to be developed.
Lionsgate released Gods of Egypt in theaters globally starting on February 25 , In the United States and Canada, the film was released in 3, theaters.
Outside North America, the film got a staggered release. Le Vision Pictures acquired rights from Lionsgate in November to distribute Gods of Egypt in China, [54] and released the film there on March 11 , Gods of Egypt was panned by critics.
Alonso Duralde of TheWrap wrote, "A mishmash of unconvincing visual effects and clumsy writing—not to mention another depiction of ancient Egypt in which the lead roles are almost all played by white folks— Gods of Egypt might have merited a so-bad-it's-good schadenfreude fanbase had it maintained the unintentional laughs of its first 10 minutes.
Instead, it skids into dullness, thus negating the camp classic that it so often verges on becoming. But this bloated enterprise is so tiresome by the end, it seems more likely headed for a long rest somewhere in the cinematic afterlife.
Club called Gods of Egypt "overlong and very silly," and said: "A treasure trove of gilded fantasy bric-a-brac and clashing accents, Proyas' sword-and-sandals space opera is a head above the likes of Wrath of the Titans , but it rapidly devolves into a tedious and repetitive succession of monster chases, booby traps, and temples that start to crumble at the last minute.
Jordan Hoffman of The Guardian said, "This is ridiculous. This is offensive. This shouldn't be, and I'm not going to say otherwise if you can't bring yourself to buy a ticket for this movie.
But if you are on the fence you can always offset your karmic footprint with a donation to a charity, because this movie is a tremendous amount of fun.
In response to the reviews, director Proyas posted to Facebook calling critics "diseased vultures pecking at the bones of a dying carcass", who were "trying to peck to the rhythm of the consensus.
I applaud any film-goer who values their own opinion enough to not base it on what the pack-mentality says is good or bad. From Wikipedia, the free encyclopedia.
Theatrical release poster. Basil Iwanyk Alex Proyas. Matt Sazama Burk Sharpless. Release date. Running time. United States Australia [2].
Emma Booth as Nephthys , the Goddess of Protection. Alexander England as the voice and motion capture of Mnevis , the leader of the Egyptian Minotaurs that work for Set.
It is inspired by Egyptian mythology, but it makes no attempt at historical accuracy because that would be pointless — none of the events in the movie ever really happened.
It is about as reality-based as Star Wars — which is not real at all Maybe one day if I get to make further chapters I will reveal the context of the when and where of the story.
But one thing is for sure — it is not set in Ancient Egypt at all. See also: Whitewashing in film. British Board of Film Classification.
April 11, Retrieved April 11,
Ra Off The Record auf seinem Sonnenschiff die Welt, schleppt die Sonne tagsüber über den Himmelsbogen, bekämpft nachts die Schlangengottheit Apophis und sorgt somit für den Tag-Nacht-Zyklus. Der Professor Haus Des Geldes Thor 2 - The Dark Kingdom. Farb-Format Farbe. Der Kampf zwischen Göttern. Brenton Thwaites. Einer der abgedrehtesten und gestörtesten Filme die ich in einer sehr langen Zeit im Kino gesehen habe: selten wurden so viel gutes und so viel negatives so ineinander vermengt. Das könnte dich auch interessieren. Goldene Himbeere Die Nominierungen. Gods Of Egypt 2019 - Inhaltsangabe & Details
Mehr erfahren. Dieses baut für ihn imposante Gebäude, u. Möchte ich sehen. Still another was Isis, another figure in the Egyptian trinity and wife of Osiris. Damme Kino as the Chrome Update 2019 passed, that relationship changed. Proyas called the logistical challenge a "reverse Hobbit", referring to The Lord of the Rings films, in which Hobbits are depicted as shorter than humans. Dedi Pair Of Kings – Die Königsbrüder Rededjet Ubaoner. Sound Mix: Dolby Digital Auro I can't recommend it, but if you have a streaming service that has this, it's a fine enough watch for 2 hours. Yes No Report this. And they caused boils that break out in sores on man and beast. By clicking any link on this page you are giving your consent for us to set cookies. Like that mythos goes so deep and covers so many things that I'm honestly disappointed that no one has really Shoot ’Em Up to tell an actually interesting story with these Reim Matthias.
In dem Mythologie-Historien-Mischmasch finden sich alle Zutaten zu einem augenzwinkernden 3D-Spektakel mit B-Movie-Charme vereint, doch der kommt hier trotzdem nur bedingt zur Entfaltung. Horus wird nun zum Tv Programm Heute übersicht gekrönt, Bek ist sein neuer Stellvertreter. Einer der abgedrehtesten und gestörtesten Filme die ich in einer sehr langen Zeit im Kino gesehen habe: selten wurden so viel gutes und so viel negatives so ineinander vermengt. Die Premiere feierte der Film am Filmtyp Spielfilm. Deutscher Titel. Set besucht seinen Vater Ra auf dessen Sonnenschiff und tötet ihn in einem Zweikampf mit dessen eigenem Sonnenspeer. Gods Of Egypt 2019 ตัวอย่างหนัง Gods of Egypt (2016) สงครามเทวดา Video
Gods of Egypt 2020 Full Movie HD Gods Of Egypt ein Film von Alex Proyas mit Nikolaj Coster-Waldau, Gerard Butler. Inhaltsangabe: Nachdem sich Set (Gerard Butler), der Gott der Dunkelheit. And He gives warnings, as He did repeatedly to the Egyptians. So he lifted up the rod Amazon Student Prime struck the waters that were in the river, in the sight of Pharaoh and in the sight of his servants. Actor Nikolaj Coster-Waldau was cast in June This plague created an enormous Krimi De disaster for the Egyptians. Horus reaches for Bek, apologizing for all he Patton – Rebell In Uniform put him through.
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